But it also details Johnston’s most recent monumental project, a permanent installation at the North Carolina Museum of Art. The project required Johnston to engineer and construct heavy duty wheels on a scaffold as well as an oversized kiln in order to make 178 wood fired pillars standing between just inches and to over six feet tall. “I’m ready to move on, and I’m not scared about the world. It’s wide open,” Glassie quotes him as saying towards the end of the book.
Johnston’s discovery of his own abilities is inspirational, maybe even for us every day potters struggling with a bigger shape or new technique.